It's hard to impress people with a really amazing camera right now because they'll think it's all done by some nerds in front of the computer.
But in blood month, when you see a very crazy shot in a movie, it's because there's one behind it. Such as how . . .
The photographer of the Byrne film had to jump between the buildings series, asking a fascinating question: "What if James Bond was more of a reckless madman?
"One of the noteworthy sequences is that when Jason Bourne jumps from a window into another building, the camera follows him because if you're wrong --
What you do is not so painful. you might as well ride a car.
So how did they make the camera crane move so smoothly? They didn't.
In this article, you want to start to realize that this is a pattern and they just tied a photographer and let him jump off the building.
We say "just", but this photo takes months to prepare and has built a device that will allow the photographer to safely jump while shooting (
The safety gear of the stuntman consists of crossed fingers and will).
On top of that, the security belt stuck and they had to take a second shot leap.
For comparison, we are tired of just writing that sentence.
But these ridiculous stunts are not limited to good movies.
In order to shoot the 2016 car chase, the filmmakers had to follow the stunt car on their own car, pass the traffic, while waving the miniature gladrose at the end of the crane.
This device is known because anything absurd and dangerous must be something of Russia.
Michael Bay tied the cameras to "suicide vehicles" and asked people to drive them to watch Michael Bay's movies, just like they were tied to a roller coaster ---
It is not completely pleasant, but it still has some pleasure. He's well-
Known for bringing the audience closer to action than anyone else, how did he do it?
Why, by means of a device like this, constantly risking the lives of his actors and crew: the car should look like it's a history of riding on a, but it's actually.
The car, known as the Bay bomber, has cameras everywhere, including a camera hanging on the side.
There are a lot of fences in front because the driver goes against all the logic and common sense and I should drive that camera car into other cars in order to have them flip up and into the face of the scared driver.
It was designed to make the scene look like "the photographer will be shot", which seems unlikely.
But somehow it's not what Bay calls a "suicide car ".
"That's it: Do you know the scenes where the cameras are dangerously magnified on the streets of the city?
How they got them.
This included a gimmick that they threw a car High and accidentally hit it to the side of the building.
At the same time, the sum of stunt drivers protecting cars from falling and other injuries is (1)
Helmet, it could be rigged to explode like anything else.
At the very least, this is the "only" camera operator and crew who risk their lives, while the stars are safely away from flying vehicles.
Unless, of course, you're a quiet person.
Unknown Shia LaBeouf, he found out how fast he could climb over a car to take this picture: 3. the actors in The Godfather manipulated them with tiny explosive devices, so they were not completely full of action. packed stunts.
No one is chasing the car that is speeding through the cliff.
However, there is a garbage
Many people were shot.
If you look at it again, you will find that gunshots work very well, especially for 1970 of people.
So, how did they complete these tasks without seriously hurting the actors?
The answer is naturally that they cover them with tiny explosives. (
Please note that we say "seriously" hurt them. )
Perhaps the most famous shooting scene was that Michael Corleone reached a climax by shooting several people in the head.
Each cut requires a different effect.
One of the actors, Stirling Hayden, has an actor filled with latex and covered with latex to hide it.
Here it is slowed down so that you can imagine it funny how it feels: another actor, Al Lettieri, needs his head to explode, so they put a tube full of red powder behind his head to simulate all Gore.
Part of the effect requires Lettie to actually shoot in the head with a wax bullet.
Thankfully, the shooter standing in Pacino hit his target perfectly and the scene went smoothly, and eventually Lettie still had two eyes.
However, the person who really worked hard to get A was James Kaan.
Leon plays Sonny Corleone, who was killed by millions of bullets halfway through the movie.
This means that Caan is completely covered by the exploding MUDs. -.
These are in their 70 s.
An era of gunpowder made of brass.
According to Caan, there was a departure.
So basically, his death scene made him quickly dressed like a villain.
The director of Ghost Knight 2 jumps off the cliff and chase the motorcycle on the roller BladesIf you 've never seen before, welcome to an exclusive group called "most human.
"The movie made a fortune, but it didn't set the world on fire (ironically).
But if they just let the movie go, they're going to play the crazy behind the scenes. the-
We believe it will break all the records.
An actor jumped off a cliff, on a cliff
The director does it by picking up the camera.
The directors Brian Taylor and Mark neveldin are clearly closer to action than Michael Bay because they continue to do the same death --
Like a stunt man.
That's why the film was not filmed in 3D.
It is difficult to hold a heavy 3D camera when hanging on a building.
Even Nicholas Cage has to say, "Don't you think it's a bit too much?
"But what really needs cake is it.
Instead of building a solid murder car, Taylor and Neveldine didn't put the stunt driver in, they shot the shots on the open highway.
We don't know what Oscar they can get from these stunts, but we can reasonably be sure that they deserve at least three.
The first crazy Max, no doubt, is very dangerous to make the original.
Whenever you combine high speed, motorcycle and Mel Gibson, something terrible is likely to happen.
But even so, we are still confused about how they do it: think about it.
How did they do it?
Did they cover the motorcycle driver with invisible paint?
Did they teach the camera how to drive?
Of course, the answer is: there are a few things happening here, so let's break it down: 1)
The photographer did not wear a helmet because it was too difficult to operate the camera when wearing a helmet. (
Because everyone is very irresponsible.
Please do not do so. )2)
The photographer sits sideways on the motorcycle, adding a slight push stle to send him into a year when it tilts into a turn --
End the "the ones we lost" montage at the Oscars. 3)
The driver leans forward as much as possible to get rid of the shooting, which must be hard to see exactly where he is driving. 4)
Can't see here, but both the driver and the photographer are tied to the same seat belt because proper safety is for the weak.
And, you know, people alive. 5)
As seen in the movie, the speedometer shows them moving at about 110 miles per hour.
So it was a perfect storm of bloody motorcycle deaths.
Somehow they managed to finish the shoot and their family was able to see their name on the big screen instead of the tombstone.