7 times being totally cheap resulted in movie magic - home theater projector

Usually, when we hear about budget cuts in movies, it's because there's a big problem, and the final product is a bunch of hot internal organs, so that everyone, from the ordinary audience to the ordinary theater projector operators, they are asking for answers.
However, once on a blue moon, it was the budget constraint itself that lifted a movie from the permanent location of the pharmacy clearance to the cultural landmark we are still talking about for decades.
The original time travel plan back to the future, except for Dr. Brown's gorgeous wild hair aura, is too expensive, and when everyone hears the word "", the first thing that comes to mind is sweet --
Super cool vertical hatch and amazing time-
Ability to travel.
Sure, the hovercraft is cool enough, but it can't keep candles with that iconic car.
That is why it is learned that DeLorean should be a pickup truck, and that the time machine itself is a laser device, which is almost profanity behind the said pickup truck.
In the original draft, going back to the future is not the problem of collecting energy from the bell tower in a perfect time
Regular lightning strikes;
Marty is going to be back here by 1985.
Given that the US government tested nuclear bombs around the Nevada desert in the 1950 s, it would be a reasonable conspiracy point.
So initially, when Marty returned to 1985, the doctors and Marty would go to the desert with a laser attached. time-
Transport things to the fridge, tie the fridge to the truck, instruct Marty to get to the fridge, and then equip the truck so that it can go straight into the nuclear bomb explosion where the whole unit will push through time.
If that sounds familiar
The concept was redefined.
Two questions.
First: Filming in Nevada is not within budget.
Second: according to the industrial light magic, the effect of creating a nuclear explosion will cost millions of dollars. -
This is the money the team does not have.
Oh, Zemeckis also noticed that there is a place where a child will climb into the elderly.
Old-fashioned refrigerator, trapped inside after being locked.
Attaching his name to action movies can lead to more choking deaths for children, and more nuclear explosions are not sitting well in his stomach.
So they compromised by switching the time machine from a hot core refrigerator to a terrible sports car designed by a cocaine dealer.
Monty Python's coconut prank was created to replace the expensive horseshoe. When the message comes from the Royal Court, the first sign is not your ordinary historical comedy, not on the back of a bunch of pure stallion, but in the hands of a fellow
Followed by a few more men beating some coconuts together to create the illusion of horseshoe.
Its stupid simplicity is perfect.
And it hardly happened.
Just like anyone who wants to add animals to film production, the original vision included.
The problem is that horses need coaches, stunt doubles, food and saddles. -
Not to mention the new arrival. of-
Knowing the Age character of friendship value through the loyalty of a good animal, he will definitely be put down at the end of the movie.
Monty Python doesn't have a budget for any of these things, so the horses are completely eaten.
Instead, Python replaced clips
With the click of the coconut horse, a root effect.
In fact, the spiritual grandparents of Python, the comedy team behind them, not only used coconuts as the sound of horses in their show, but also made fun of the device, as we have seen.
Here's a 1955-Episode clip: So when it's clear they can't afford a horse for their movie, Monty Python takes the oldest trick in the book: borrow 20-year-
Old joke, hope no one will be angry about it.
The horrible soundtrack to The Texas Chainsaw Massacre was all the stories before Freddy, Jason, or Michael Myers, with a leather face and a family of diners bred by his close relatives.
Part of L-
The film's soundtrack plunged the audience into the realm of audio torture previously prepared for magazine authors, trying to review the performing arts of Yoko Ono.
The soundtrack of the film is more of a mix, and it ends up doing half the work of the film.
Director Tobe Hooper, who had no money, no experience, and no clue as to how to do it, immediately got help from the recording studio Wayne Bell and dove.
Hooper stained his hand and created many souls
Sitting on the floor, like his damn madman, he sounded shocked.
Dynamic duo groups manipulate the speed of their recordings, take advantage of broken instruments, and "torture" an in their artistic name.
All of this sounds right, from the kind of person who will release a to a helpless woman at the age of 115
A degree room full of rotten meat.
The clueless wardrobe comes from desperate people, with dirt everywhere in their 90 s --
The hair was white and dressed in cashmere cloth and Dr. Martens ran around and sang hard-to-understand lyrics as he became angry with their father.
But a sunny blonde with a spinning closet came over and showed us (And conditioner)
Really capable.
The bright, stylish style Cher and her girlfriend wear in cult teen comedy is the driving force for the United States to put down cloves to take a shower.
This is entirely accidental.
At first, everything in Cher's closet should be high.
Stylishly customized, consistent with her spoiled attitude and money.
But it turns out, in a closet full of runways
The prepared duds are not cheap.
As a result, costume designer Mona may be inspired by her fictional muse and inspiration.
By mixing vintage work with household items on Forever shelves 21, May is able to make the ladies of the film look radiant.
At the time, this kind of thing had not been heard of yet, but for Mei it was just a creative way to get her actors dressed up well and stay within budget.
To this day, it was for the Y-generation fashion stage and for the delivery of Donald Ferson and Paul Rudd to a world that is not ready to host them for the next decade.
Even if you haven't seen the film, the crew of Citizen Kane invented the shooting angle to hide their poverty, and you may know the main rhythm.
Orson Wells plays Charles Foster Kane, a rich, bearded dying man whose grasp of reality is as fragile as his grasp of his beloved Snowball
After Kane's death, we were attracted by a news report, explaining that he used to be a newspaper publisher living alone in a mansion, the narrator ridiculously calls it "the most expensive one built for himself.
"The fictional house is an imitation of the same complex, real
William Randolph Hearst, also known as the home of 60,000 square feet in the world.
Hearst, Royal Kane, collection of exotic animals, European marble, art, furniture, fountains, Roman temples (
Yes, the temple he bought from Europe)--the usual. He was global-
In other words, hoarding of size.
So when having to combine the look of their films together, they have to convey that they represent someone who can't stay away from all the luxuries of the world.
But their film budget is small because Osen Wells has never made a film before and doesn't know what exactly he's doing.
No plan.
With a budget of $800,000 and a zero experience with the camera, Orson Welles did everything as quickly as possible.
To learn about camera work, he ordered a copy of the 1920 silent film and watched the John Ford film, basically remembering every trick that the more accomplished director has come up.
Then he invented some of his own tricks.
To convey excessivethe-
Kaine mansion's top rich and crazy, no access to the mansion or everything that should fill it, Wells and his artistic director strategically used creative videography and crazy angles, give an illusion of wealth.
By aligning the camera on the ground, the audience can see an exaggerated space, and the sound stage is transformed into a mansion.
Here Wells works in a hole in the floor because his photographer is not low enough to squat down.
Now that the camera is looking at his actor, Wells finds a new problem: unlike the real building, there is no ceiling on the sound stage.
If the camera shakes dead on the actor, you don't usually notice lights and microphones on the ceiling.
Therefore, Osen uses Muslim fabrics and paneling in each scene to give the illusion of.
As for the mansion itself, Wells and his artistic director play very carefully with some props to make you feel like you are looking at a huge space. You're not.
What you see in reality is a huge fireplace with a gorgeous carved chair in the foreground: The room is large but not large.
When Kane's second wife made her debut, clever lights meant she was on stage in front of a crowded house. She's not.
She was on the stage, but there was no audience.
If you think you remember Wells clapping angrily and hundreds of actors piled up from the opera house, you're wrong.
You remember Wells and some dim ones.
The brightly lit people sitting next to him, bluffing at one of the most influential films of all time.
Godzilla should be a stop.
Despite a series of scary sequels and reshoots, the sports octopus is still the most popular giant ocean in the world --
Apparently a movie monster for a man in a rubber suit.
Even with modern CGI and millions of dollars in budget, the modern audience still insists on the image of a man in an ungraceful dinosaur costume because of Godzilla's low
A big part of what makes him so popular is the lack of budget.
Try to imagine that the original Godzilla was a huge stop. motion octopus.
Special effects wizard Eiji Tsuburaya signed up to create the creature in the Japanese film, which he hopes will be the perfect carrier of his ideas.
Other possibilities include an ape.
Like creatures, inspired by the movie grandpa of the monster, at stop-
Motion animation in its time.
Thankfully, Tsuburaya has only a few months to get his job done, not the time it takes to achieve his ambitious explanation.
He bought a set of rubber suits with less and less money, and an urian star was born.
A Planet of Apes should be more modern. The most famous aspect is the epic shot of the Statue of Liberty --
Buried in the sand of an end-of-the-world wasteland.
Great, they took it on the cover and the vandals were cursed.
Either that or that iconic quote.
You know.
Somewhere floating in the abyss of abandoned Hollywood scripts is a version written by Rod Selin.
This version will explore the rising apes in clothing stores, vehicles and bustling city streets.
Except that the human model is a monkey.
Banana smoothies are sold in coffee shops.
The producers are starting to have a second idea, fearing that the Serling version will take too much time to achieve, with all the houses, the mall and what you can see anywhere in the US.
The producers used their flawed logic to come to a conclusion that created a whole new writer and a whole new building team, creating a destroyed dystopian that we all know and love
But the suburbs are everywhere.
The wasteland of the end of the world is really not. . .
Unless you live in Detroit.
So not only did the producers end up spending money on their "conservative" version of the movie, they also took away the greatest moment in film history-the gorilla. Policeman.
This is the remake we can't wait to see.