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Update: Some slightly revised pricing information has been received since the first release of this story.
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For many years, JVC's home theater projector has been dependent on so-called ‘e-
Shift technology provides pseudo 4 k pictures, not real pixels of pixel 4 k purity provided by Sony's rival ssps projector.
This is not to say that JVC's "4 K" model does not perform very well;
They usually have
But they lack local 4 k support (
In addition to the brand's eyes --
Expensive Z1 laser model)
Began to feel more and more embarrassed.
Then I was very pleased to find that JVC finally made a real 4 k leap with a new trio light
Based on the native 4 k projector, it is more affordable than v1.
The cheapest of these new models is DLA-N5.
Black or White (
Black only available for the other two models)
N5, like its more expensive new siblings, is one of the three members of JVC's new 0. 69-inch 4K D-
ILA optical chip
It also provides new
Find resolution through 65mm full
The glass lens, which claims a maximum brightness of 1800 lumens and a huge natural contrast of 40,000: 1.
When I say "local contrast", I mean the N5 can get such an impressive contrast without the need for a Dynamic Iris system.
This helps it provide a more stable and consistent image than the projector, which can only get a good black level and contrast by constantly adjusting the light output.
Although you can raise the n5 claimed contrast to a powerful 400,000: 1 with an optional dynamic contrast option if you wish.
Even 6,499 (6499 Euro)
The N5, the most entry-level model in JVC's newly announced 4 k projector series, still gains another key feature in the new series: automatic tone mapping.
This struggles with the dull appearance of high dynamic range images previously seen on JVC projectors by using the source's average brightness and peak brightness metadata to calculate the best way to present HDR images.
2,000 more to get to the new DLA-N7.
This increases the local contrast to 80,000: 1, the dynamic contrast to 80,000: 1, and the brightness to 1900 lumens.
N7 also claims to be able to reproduce a wide spectral range of 100% and again use a full spectrum of 65mmglass lens.
Last but not least, 18,599 (18,599 Euro)DLA-
The NX9 raises the local contrast to 2,200: 1 by increasing the brightness to 100,000 lumens, and the dynamic contrast to 1,000,000: 1, thus raising things to another level.
This model is also certified by THX and uses a larger 100mm
Glass lens with 8 k video support in the world's number one projector (of sorts)
Thanks to the 8 k emailShift system.
At the IFA show in Berlin, NX9 and I spent about half an hour in a dark room and I am happy to report that, the images I have seen are very spectacular to a large extent.
The transition to the local 4 k pixel count can see 4 k blue light
The light is now played with lovely clarity, purity and clarity without any noise (
Except for things that should be there). The orange-
At the same time, the hue Las Vegas bar sequence featuring Harrison Ford and Ryan Gosling in Blade Runner 2049 was changed by the new automatic hue mapping feature.
This greatly improves the overall brightness level, providing more impact on our HDR-related.
At the same time, however, automatic tone mapping processes very extreme areas of HDR light with aplomb, making them look stronger without compromising the average brightness level.
Colors also look much richer in volume and brightness than when turning off automatic tone mapping, again making you feel like you can see what HDR and wide color games can do better than any JVC projector.
In addition, these new brightness and color elements are passed without making the source image look unnatural.
Instead, as the extra light is now magically applied, the level and color of light in HDR actually looks more natural than less natural.
The best part is that JVC has successfully introduced native 4 k resolution and automatic tone mapping for all its new projectors, instead of looking compromised on all the significant black levels and contrast of the JVC projector now for many years
In this critical area of image quality, there is still no other projector technology that can be aligned with JVC.
I wouldn't have been 8 k e-if I was picky-Shift feature.
It makes the image look a little dense with pixels-
Very convenient on a very large screen
But I didn't get the extra clarity, capture and texture sense that LG's 8 k OLED and Samsung's q900 r QLED 8 k TV showed on IFA.
Also, even if the auto-tone mapping feature brings an extra blow, some of the shaded areas of the HDR image still look too dark.
However, in the context of a huge step forward from JVC, these are really small complaints that seem to be taken by its new projector.
Fans who are passionate about home theater should definitely book some
When they went public in October, they were with them on time. —