projectionist last of a breed in era of automated digital multiplex - digital projector

This is the last point of the file name, too much trouble.
There is a series of long and expected symbols, including symbols such as "FTR _ en_xx _ in_51", but on the computer screen, these symbols are all "DLB-ENC.
This had Dave Callaghan pick up his phone and call another movie projector.
"It has the letter 'enc'," he said '.
"Do you know what that means?
Next up is the pause, just like one of Bob Newhart's stalls --
Comedy routines, the other side of the conversation is considered unheard.
"We're going to play this tonight.
"Cell phones for the ears, Callahan is now slowly pacing in a century of film technology value, at the old projection booth at Revue Cinema --the 16-
Mm projector, two 35-
Mm projector, the old "rectifier room" behind the door at the far end, where the AC is converted to DC to run a special projector bulb.
Callahan learned all of this from his decades of craftsmanship.
Think about the "projector", and even now, you'll be sure to imagine images of huge movie reels passing frame by frame in front of the projector, illuminating some distant screens with fantasy and romance.
But now Callaghan finds him among a handful of professional projectors who are still working in the era of automatic digital multiplexing.
Today's film is not in the form of a scroll, but like the old 8-
Insert the music tape into the digital projector.
However, to play a movie, you need a separate computer file
Essentially a key.
Sent by email from the film publisher.
This is the source of the "ENC" puzzle, which is provided by the new digital projector, which now rubs the shoulders with Revue's old machine.
The search for the manual and a series of telephone conversations ultimately reveals that in this case, the distributor sent the wrong computer file, so the movie sitting on the hard drive could not be unlocked.
Another email with the correct documents officially arrived, several hours ahead of the scheduled screening time that night --
A little projection-
An indoor play in the semi-finals
Dark, the audience below does not know, in this case, diapers-and-
The stroller crowd who went to Rome with Love to watch the matinee movie.
In a nearby coffee shop, Callahan is counting with his fingers and silently calling his name.
"15 years old," he said, roughly estimating more peopleor-less full-
Still working in Toronto
They spend most of their time working in a troupe, such as hit or art.
Home theater and festivals for the cinema spec show-
Anything that needs to be able to use a projector of different types and formats, from 16-
Mm movies through numbers.
Callaghan has been doing this since 1971, when he followed his father's professional footsteps and started working part-time
When studying for a bachelor's degree in science at the University of Toronto.
According to his own admission, he has always been a geek fascinated by "how things work ".
Although the math required seems daunting, physics is still attractive.
Chemistry also has its appeal, but in the Vietnam-era petrol bombs and orange agents they end up disappearing.
"I like movies," Callahan said . "
"It won't hurt anyone.
The projection booth was cleverly combined with Callahan's technical and cinematic emotions, so he officially became an apprentice and acquired his (then required)
Provincial license.
Listening to Callahan now is a bit like going to a graduate seminar on film history.
His father started at 1950, just when the cellulose nitrate film was eliminated due to its highly flammable properties.
Callahan's father once showed this, and he lit a small note in the ashtray.
Followed by a dazzling flash.
"It's gone before you blink," Callahan said . ".
Callaghan père eventually became the first chief projector at Cinesphere square, Ontario, working with the revolutionary Imax projector at the time.
His son is still surprised by the opening sequence of Superior's "The north of High", one of the many film moments he talks.
Just as Callaghan watched two consecutive screenings of "paraddu du Paradis" at the old Cinecity cinema on Yonge Street, produced a six-gamehour marathon.
He smiled and said, "I saw it seven times a month . "
Or see what the director Joseph von Stenberg can do with the lens and the lights to make Marlene Dietrich such a tempting revelation in the 1930 s
Now, in Callahan's cherished, sublime works, people are still in awe of the revelation. resolution 70-
Mm movies, novels of the time, more
The channel sound system makes it feel like the helicopter is uploading from one side of the cinema to the other.
However, no matter what the film is for Callahan, there is actually only one place to watch: the balcony of the cinema in the old residential area, when that venue becomes multiple, it becomes a residential areascreen.
All the wooden buildings resonate with the rich hearing.
"The sound on the balcony of the residential area is similar to what you heard in the Macy's Hall," Callahan said . ".
"It was a wonderful theater.
However, there is only one drawback.
In order to reach the projection booth, you have to go through a door, enter the outdoor fire passage, and then before climbing the stairs again
Enter the cinema through another door.
At least, it's not as bad as the old New Yorker's movie theater on Yongji Street.
The projectionist there had to climb up two huge stairs, climb out of the fire passage at the back, cross the roof, then through a door, and then go downstairs to the booth.
Like many cinemas, residential areas and New Yorkers are long gone, but Callahan doesn't think the film itself will soon follow suit.
This is related to storage and economics.
During cold storage, the film can be used for decades at a relatively small cost.
But storing movies permanently on a hard drive is much more complicated and much more expensive.
If you don't use the hard disk frequently, the hard disk may freeze, and this is the computer. the technology and format are constantly changing. therefore, any archived material must be constantly "migrated" to the latest digital magic.
That's why Hollywood still keeps the movie version.
Even those that were originally produced electronically
As a way to get around the industry
It is called "Digital Dilemma ".
Last Thursday, for example, Kodak released a new 35-
100mm movies that have maintained a stable color for many years.
Callaghan has no illusions about being able to play the film through a projector.
Even the film adaptation
In the future, movies released from the archives will be released in digital form in cinemas.
These days, if he works once or twice a month, he is lucky.
But some things haven't changed.
"The projector is a projector and his job is to" see the technology for the material, "Callahan said.
"No one knows I 've been there if my job is done right.