so how did they actually build the thing? - led display signs

I do a lot of mixing, sand and cement, making mortar.
I shoveled things into the blender.
I made a little laying and cut the stone to the right size.
I found the body difficult and we were very tired at the end of the day.
I was very weak when I started.
But I built it up. I'm like everyone else.
I love it because I always wanted to do the job but it could be dif.
Because many men don't want to see a woman.
I like this square more and more.
It is good to have a large open space in the city center.
Most people I talk to don't like it.
This is different.
I think people should be more flexible about what they expect to happen.
This is a big city. you have to try it.
I think they will get used to it.
There are a lot of good things about it.
I am a civil engineer and 40 field manager William burnball Mark Prentice.
I have been on site for three years and I came in when the deck was finished.
I have been in this industry for 20 years.
As a site manager, the biggest job I 've ever done is probably the Crown Casino in terms of size.
This is probably the most difficult in terms of complexity and on-site management.
This is not a simple, typical business project.
This is a monument.
It is more artistic than ordinary, traditional commercial buildings, which is obviously what we tend to do.
There are great challenges in engineering.
The atrium is one of the most complex engineering structures I have ever seen.
There is no obvious square here, everything is in a different plane and height.
My main challenge is to keep the whole team motivated.
This is a very complicated and difficult development.
The work is done by people.
When they are motivated and feel they can achieve their goals, they will do it for you.
William birnbauer tony callipari, a 40-year-old Permasteelisa technology project leader.
I have been working on site for three years and mainly do technical supervision.
I am a trade designer.
Large Panel (on the facades)
Made of zinc, glass and sandstone
All natural products
They all form a windmill design and the triangle measurements all fall together and you can pull them out, pull them in and create all these different shapes.
Megapanels are usually 6 m long and 3 m tall with 25 different triangles on them.
We make these things in the factory, and then we ship them here and put them on the wall.
The most challenging thing is to have the internal steel structure properly accept the mega building and make sure we close all the mega buildings.
The hardest thing is to do things well.
It's not an easy job. you can put a wall in a square shape and put it together.
Everywhere.
You have to make sure it is right when you are above it, otherwise nothing is right for you and you will get all these gaps.
The biggest factor in this work is that the architects are still involved and the design is not specific.
This makes it difficult for us to build something that is not designed.
When you get the change, it obviously affects everything around you, when you have a lot of downtime and delays.
This is not fair to us because we always seem to be behind, but we have done our best in this regard.
We work hard.
This is the most interesting job I have ever done and the most challenging and enjoyable one.
It can be a headache sometimes, but I think it's worth it in the end.
I wasn't passionate about the design at first, but now I really like it.
I'm William burnball Chico Padres from Chile, bulldozer 56 and masons.
There was a revolution there in 1973.
I was a young man and had two daughters.
"Please go somewhere because someone killed you," My wife said . ".
I joined the Union and it was very dangerous for me.
They killed Allende.
President of Chile)
The military took me from my house three times.
The person I represent96 families —
They went to prison and said, "You can't kill Chico because Chico is too honest. he didn't do anything wrong.
"We went to different embassies and they accepted me, but my wife decided to come to Australia.
She died in a serious accident in 1988.
I started with Tasco tiles and the trade center at Grollo.
I have never stopped working since then.
I was lucky that I worked on Swanston Avenue, Collins Street from Elizabeth Street to the Capitol, and the big project of the casino from one end to the other, 34,000.
Everything from architecture to Rivers, steps, walls and seats, all blue stones.
The job is different.
There are no more Square buildings, no more concrete, concrete, concrete.
18-year-old electrician apprentice William burnball Savas rizaz, I finished 11 years at Buckley Park Middle School in Essendon and started my apprenticeship at 17
I have been here since March 2001 and have been in the functional center for the last five months, connecting the entire functional center, power cables, all lighting and power supplies.
This is my only job other than the county court and I like to work here every day.
It was a great experience.
This is a big site for Melbourne and Victoria.
This is a building that looks interesting, very futuristic, a bit ugly in some places, but inside, I think it's very modern and looks great.
William burnball Mick Dolan, 45 plastering field supervisor, W. H.
We basically finished all the plaster work.
Directly through the gallery, SBS center, south commercial, screen gallery and new train platform on platform 14.
I have been here for three years for Christmas.
I have been in this competition for 25 years.
This is by far the hardest project.
The inside is as hard as the outside.
Nothing is square, nothing is easy, everything is irregular.
Most of the difficulties come from coordination with other industries.
Architects have a clear idea of what they want, and this is a question of manipulating both and getting the best results.
There are some changes, because some things have been successful, some things have not been successful, and ideas have changed a lot.
This website is not suitable for some people, because they like ordinary work without thinking;
Other people just like it.
He was surprised that I had brought my dad in.
I 've been telling people: "Wait until the house comes down and the paving is done and a little bit of green gets up and you will have a different view of it.
Then wait and see what's inside.
It will blow you away.
"William burnball Tony Allen, project director, 48, is an architect, but I also have management experience, so, I was specifically recruited to run a joint venture established by two architects.
About three months after the project started, I started.
Before that, I worked on the reconstruction of the State Library.
Federation Square is different from other projects I have been involved in because it has a lot of parts.
Then, there are a lot of players involved in each part.
It's a tough and exhausting project and the most exciting and valuable project I 've ever been involved in.
Opportunities like this don't happen very often.
I got married to three kids and they gave me a lot of support
I need it.
My kids are excited that it is finally over and they will be able to come and experience it on the spot.
We are looking at a group of buildings that are different from any previous building.
As an architect, you get a real buzz by creating something different that goes beyond where others have been before.
We know very well that there is obviously a lot of controversy around the project, a lot of negative reviews, but, most of them come from people who haven't been on the site yet and have no chance to understand it.
Farrah tomazin andrew partos, a 40-year-old landscape architect, I have been in the industry for 18 years.
I started working as an architect for seven or eight years and then completed my master's degree in landscape architecture.
I started with UC Berkeley and spent some time at the University of Copenhagen.
I was asked to join the team through my own company Equinox Design Group to deliver the square.
The square is considered the center of the Federation Square, and the public open space fills the center of the square.
For major events, we will have a video screen there, where there will be lawn areas for people to sit on and enjoy, as well as trees from western Victoria.
My role eventually expanded to include many other aspects of the external work, dealing with disability from the details of the furniture, and looking for the best way to find and develop a planting plan for the site.
In terms of understanding the material and dealing with the different methods of using the material, this will be the most challenging project I am working on.
I think this project will surprise people.
I don't think everyone will like it, but I think people will be surprised by it, part of the purpose of a good building is for people to think about their environment and environment, this is a space that can really be done.
It will challenge people and it will be interesting how people deal with it.
Farrah tomazin tim hill, 31-year-old atrium architect at Bates Smart Lab, my main role is as an atrium architect.
The idea is to provide an indoor covered Street, which is also a large public open space that is actually the entrance to NGV and a lot of commercial facilities.
It was a terrible thing for me to get involved because it was radical and never done before.
No one really knows what it will look like.
The complexity of the structure makes you really don't know what it is until it exists.
But I think the result is great.
I have been involved in this project for five years.
Before that, I ran a studio with a friend who worked here and until recently the work began to dry up.
The project is over now, but we want to try it out and use it as a platform to develop our own stuff.
In terms of its architectural ambitions and architectural achievements, this is the biggest project I have ever been involved in.
There are many young people in this studio, and it is difficult to convey the enthusiasm and optimism felt throughout the project.
I want people to do what we believe.
There is a huge task before the people who must now manage it, that is, to make it relevant to the people of Melbourne.
The way it sewed itself on Melbourne fabric is now the most difficult challenge.
Farrah tomazin casimir zdanius, 32 signage, graphics, multimedia, Bates Smart labs, I started here on 1998.
My role is to design and coordinate all signage, graphics, multimedia, design and documentation.
We were at the National Gallery of Victoria (
LEDs)
Indicates the channel for events within NGV.
We have also customized LED display boards specifically designed for building fonts.
The mobile image center in Australia also has its own graphics and fonts.
Their graphics are transferred from their screen technology to all legal door signs and direction signs.
This is the biggest design role I have ever played so far.
I enjoy the atmosphere of being involved in a construction project where everyone is committed to making corrections.
This is important and a great driving force.
I think this project will be recognized by the community.
So far, the public is limited to viewing the front of Flinders Street, but there is so much in the constituency that has not been exposed through the media.
Once there is, people will embrace the Federation Square.
I believe the project is an inspiring impression of the city.
Farrah tomazin tim marks, 48, is a mechanical engineer with a master's degree in engineering from the Southampton Institute of Sound and Vibration.
My work at Federation Square includes isolating vibrations.
The Federal Square is located on the railway line, so there is obviously a huge acoustic and vibration problem.
Placing noise is a unique goal
Sensitive spaces, such as theaters and art galleries close to the railway line, are no more than one to two metres away from 400 of exhaust gastonne diesel.
The only way you can stop the train vibration from appearing is to install the isolator throughout the site
Steel spring shock absorber and rubber isolator.
The National Gallery and the south atrium area are housed on thousands of rubber mats to prevent the train from vibrating as it enters the deck through a collision wall. The most noise-
Areas of sensitive areas of SBS and Cinemedia.
This area on the deck sits on a spiral steel spring in response to vibration.
This is not a simple project: nothing is direct and nothing is normal.
I spent many nights in a cherry picking machine, from bearings to bearings, I checked that everything was in the right place and everything was loaded correctly.
But I am satisfied with the result.
I think we are biased.
Because we have a stake in this project, we like it.
There have been so many dull gray buildings in Melbourne over the years, so it's really one thing.
Those who have been inside and look around and see how it is combined believe that they will fall in love with it when the public sees it.
I think it will attract a lot of tourists and become the focus of Melbourne.