the influence of tv, film and radio in thomas pynchon's 'the crying of lot 49' (part 4) - home cinema projector

googletag. display("div-ad-articleLeader");
From this point of view, Russia Dipa found that he was not attracted to the back of the screen, but was attracted to the front of the screen;
After searching for the truth in the background of the courier's tragedy, she tried to use her knowledge of the radio industry to help the paranaans and learn the story after her dismissal, and now she has become the media
During a visit to Dr. Hilary's clinic, she found her psychiatrist shooting outside the window with a gun.
Russia began to get involved, but quickly questioned her behavior: "It took a while for the company to stand at hipshot and question her own sanity.
Why didn't she come out of Blam's window and read the rest in the newspaper, "odipa is now in contact with the media;
She can get involved and learn something from it.
Because here, through the story of Dr. Hilary us about the Nazi past, and the story of Lago di Pieta, metzger condemned the reality behind the "John Wayne" version of World War II at the theater.
Credit: wiki share/Hudson, F (lt)
Royal Navy official photographer Dr. Sheila Reus used the Gestapo officer accent in Chapter 1, which seems to be an unintentional echo of the false sounds used by inverroy, which is a real deal
The false giant's rhetoric is an echo of ridicule, and the reality of Sheila is covered up by the false media narrative absorbed by Russian Dipa, which has not been questioned until now.
Soldiers killed by the big three in the play of Wharfinger, whose bones turned into ink;
The fact of the war turned into a fantasy here, "based on a real story" in Hollywood's language ".
The true version of history and Hilarius is another setback for Oedipa, another realistic novel that she believes is limited to television: "Most of her experiences have proved to be betrayal one way or another, and the fact that other characters are trying to use her to make an analogy between them and the influence of the media "(David Seed).
In fact, these betrayal of the truth in her life does not allow her to further increase her frustration in her own defined narrative, resulting in physical and mental illness and false feelings of pregnancy (
Russia is carrying out her fictional narrative).
In contrast, Dr. Hilarius seems to be more concerned about the media approach: "They go through the walls.
They copy: you run away from them, turn a corner, they are there and come to you again. . .
Your Israelites have access to all the known uniforms.
"This describes the electronics.
The magnetic waves transmitted by radio and television signals, the constant repetition of visual images (
The Tristero symbol can be used as an inevitable visual buzzword)
Its disguise distorted our view of history.
The present novel overpowers the historical truth of Dr. Hilarius (
The earlier simulation of the Nazis was a myth covering up the truth of the myth)
Combined with his fear of the real Israelites (is-real-I)
A Secret Service that threatens his sanity.
Reality overpowers fiction here;
The media cannot be used as a defense of the novels they create.
Prior to Dr. Hilarius's arrest, Oedipa found out how the media integrated "reality" as a police officer stopped to "get details of Oedipa for the news media.
Television changed the geographical position of the event;
Once the police officer told her that "the television audience wanted to get some footage through the window, the world of odipa became a stage.
Can you get him occupied ? " The technical equipment she felt during her first meeting with Metzger has become a reality, and the window to provide an escape to Russia is now just another screen, in the almost literal version of the "media framework analysis" technology described by David Giles.
Mucho forced Oedipa to cheat, and Oedipa suggested "you are, be yourself" and then announced to the audience in his earnest radio voice, "change the name of his wife ("Mrs. Edna Mosh ")
According to the distorted conditions of the media, she copied Oedipa-or rather "Oedipa"-into someone else's home through their walls.
When it comes to DJ Mucho, we shouldn't underestimate radio as a medium compared to film credit: Wikimedia Commons/George Grantham Bain Collection and TV: "Radio is arguably the most important electronic invention of the century.
"Cognitive, it completely changes the habits of a country . "
At the beginning of plot 49, Mucho Maas became aware of the public/media view of the car sales representative and left his work in the parking lot to be part of the media itself (
He has tried this by changing his image, like the film actor Jack Lemmon).
Funch, his boss on the radio, told Mucho to change his image and make him more neutral and no longer sexy: "I'm too sexy now.
I should be a young father, a brother.
The chickens called with naked desire. . .
About 1964 of the changes in the way young people live are happening --
The friendly radio station aired, and the cycle of "Drake format" and its large number of songs was reduced, which slowly killed the noisy and noisy dj in his 50 s and his 60 s.
According to Douglas, this new form disrupts "the process of people identifying themselves and their relationships with others, through the consumer taste preference mirror nurtured by rock music stations among young Americans ", they found that transistor radios became more affordable due to competition from Japanese imports (
Although at least in San Nespresso, the radio was so popular that someone judged by the "Wildcat transistor device" located near the tank theater that selling the radio was cheaper and profitable.
Pynchon puts the two together as a comment on a short but more flexible radio medium than a stage play.
Greater availability means more exposure to radio stations that play black music, which is seen as a detrimental effect on young white Americans, so the federal authorities rule DJs like Mucho.
By the end of plot 49, we can see that this change is too much of a change for insecure mucho, who becomes "a house of people ", at the same time, he turned more to his interior, although the psychedelic medicine is of course helpful (
Drugs and music from Leonard, Sergey, Dean
The more he goes, the more he needs to communicate with more and more people, as if he subconsciously cried louder and louder to make up for his decreasing self, until he reached the spiritual stage of believing in the voice, millions of people recited a cliché phrase (
"Delicious chocolate ")
A spell about the spiritual singularity, his own intermediary god --
He can't come back from there.
Credit: there is no Wikimedia Commons/Canberra time museum with the same transmission capability as the "antenna", "like the Parana family without posture, or did not make Driblette-pay attention to how Driblette died ", just after they attacked the courier's tragedy," remove the skill of the frame he needed himself.
For the delopus and the media narrative, please read Mujo and the intermediary self, but unlike Metzger, "she doesn't even know what the tune is.
The Maas ran their own way, on the contrary: the Russian Dipa lost himself in looking for a model of media commitment, and Mujo believed that through the media, he had found himself, become "a model of millions of lives in one night ".
According to the l49 conclusion, only the Russian dipuz and Genghis Khan stood there, and even Professor Botz gave in to the film reproduction of the history of tristro, which began with actors and costumes.
"He looks like Kirk Douglas. . .
He wore the sword and his name was a bit like Konrad. ”)
And end in the stage direction of the additional function (
"Long Cheers ").
Before she entered the auction room, Russian Dipa considered copying "a scene north of Hitchcock in the Northwest "(Grant)
To free her from potential danger, she will "create a scene ".
It is clear that when Russia thinks about this question, "stand in the sun, between the brilliant rising and falling points", as if in front of the beam of the cinema projector in the dark auditorium
Inside waiting for evil
The man wearing "black Ma Mao" who came directly from the central election was pale and cruel.
"When the novel is over, we are also in the auction room;
The door on our face was not closed;
No literary work can be equivalent to "the music of expansion" and "The End of Pinchin";
Doing so would suggest that you are a great projector, just like Driblette.
Instead, Pinchin ended up breaking our expectations of the narrative climax;
When Pynchon predicted this for ourselves, it sounded like a warning by turning us into that warning.
There was no ending, only to continue, and Pinchin asked us not to continue the story, but to let it expire.
As for Oedipa, she has to throw away the script she follows, along with all the changes and changes to find her non-mediated, non-
As Michael J. Allen said, telling the self and realizing that TV is "something we do to ourselves.
"If she does this, Otis will end the quest to find the reasons behind the crying of plot 49, and just leave it behind for her own life adventure.
Function articleAdMiddleLoad (){if (typeof jQuery ! = "undefined"){
Last position of Var = 0;
Minimum distance between Ads var = 1200;
Minimum distance from var at the bottom = 300;
Var adsToPlace = 20; for(var i = 1;
I /element is located after the ad & in the last position! $(this). hasClass(
"Article ")
/Element is not advertising &&($(this). position(). top -
Enough space between Ads & $ (". articleText"). height()-$(this). position().
Enough space from the bottom of the article | $ (this). prev(). hasClass(
"Article ")
/The previous element is a slide)){$(this). before($(
"ArticleAdMiddle ")); googletag. display("div-ad-
"I ");
$ (this). position(). top;
SpotFound = true; return false; }});
/If no location is found, stop looping and remove any remaining banner slots. if(! spotFound){for(var j = i;
J