will the cool of a smart british director prove the right temperature for frozen?will the cool of a smart british director prove the right temperature for frozen?will the cool of a smart british director prove the right temperature for frozen? - how muc

NEW YORK —
The puzzle of the Tony Award
Award winning British director Michael glendage has to solve the problem in his latest project not the kind of problem they train you in high school
London theater school.
For example: dealing with a carrot nose that is easy to melt.
But when the project was "frozen", the stage version of 2013 Disney animated films made $1.
3 billion at the global box office, you're definitely better off having cute characters like Olaf snowman, er, cold.
So, grandpa and his team have been working on music for the last 17 months --
He didn't even want the entertainment company to tell him. much back-to-the-drawing-
The board discussion revolves around giving flesh to whimsical creatures in the movie.
As well as thousands of other design and drama elements to meet the large number of fans Disney hopes will hit the wall of Broadway Street
The James Theatre starts on Thursday.
Snowman Olaf, reindeer Sven, all the mysterious trolls who live in the depths of the Scandinavian forest in Elsa and the Kingdom of Arundel, where Anna is challenged in the weather: This is a magnificent mission
A completely new to the Disney empire, never directed an original musical --
Take a super ingredient
Victory and, well, just stir up another. No pressure!
Grandpa recalled the importance that executives such as Thomas Schumacher, president and producer of Disney's drama production, attached to the "freeze": "This is a big asset for us," they said, "We hope it doesn't leave too much outside.
But how to imagine it, it's for you.
"It brought us back to Olaf, who was dubbed by Josh geed, the veteran of the film Book of Mormon, Disney's animator portrayed him as three independent
"When you make a stage version, it's your first question," said grandpa, taking a break from rehearsal and talking on the latest weekend morning.
"Will you be dressed as Olaf in Times Square?
He asked with a smile.
"Or do you make puppets?
"The answer is often developed in the best stage adaptation of Disney's animated film musical, a blend of adult sweat and children --
Friendly inspiration.
Fusion of people (
Actor Greg Hildreth)
Grandpa said the puppet came, "invite you, the audience, to come and see Olaf through one person, because you have a real actor doing the right performance, the puppet sitting in front of him.
So you have both the best of both worlds about OLAF's iconic photos, a face that works and lives through him.
"Disney likes to hire directors, who can not only rearrange, but also think fresh about fairy tales that seem to be easily digested on the surface, which are presented beautifully at cellul.
It's not always a success on Broadway: think about the Little Mermaid by Opera director Francesca Zambelo, or design the Tarzan by otle Bob Crawley
However, when it works, like Julie Temer's "The Lion King," the fascinating result completes the company's continuation of the big-
The time shift from the screen to the stage began with beauty and the Beast in 1994.
For Grandpa, the challenge is not just to accept the huge expectations of fans for the film --
"You realize that you are accepting a thing that is deeply penetrated into the consciousness of people around the world "--
But at the same time, highlight an emotion that is more suitable for the role in three dimensions.
"This is a show about a traumatic family-" says Christine Anderson --"
Lopez, along with her husband Robert Lopez, wrote music scores for the film and added more than a dozen other songs to the Broadway version, which of course retained the Oscar-
Let it go.
Idina Menzel sang the song on the screen as the tortured Elsa, the young Queen cursed by the ice
Make her subject the devil and turn her into selfimposed exile.
Frost itself is almost a character in the play.
Just as the director's notes from the Disney designer who worked with his life partner, "frozen" layout and costume designer Christopher Oram: "There's a guy who showed us 100 different kinds of snow! "The 55-year-
Grandpa, who won the Tony Award for his "red" direction in 2010, John Logan's abstract portrait
Expressionist painter Mark Rusko may blush at the beginning, an unconventional choice that tells the story of the clash between a pair of royal sisters played by Cassie Levy (
Elsa as meditation)
And Patty mulling (
Anna as the Sun).
Almost all his works on Broadway were written in language.
Rich drama: Frost/Nixon by Frank langra and Michael Xin;
Daniel Radcliffe's The limp of Inishman;
Hamlet by Jude Law
One of his previous musicals on Broadway was the revival of Avita.
"But this resume --
An actor of the times, graduated from London's Central School of Language and drama, including
Leading positions such as his management of the famous Donmar Warehouse in London.
Grandpa himself is also an entertainment group, his trip to Londonbased outfit —
Michael's grandmother.
He has appointed a director.
The role of the producer, few of his American counterparts have developed this role, and his appetite is great: just after frozen, grandpa returned to London to guide his company, the revival of the West End of red, and original star of playwright Martin MacDonald, Alfred Molina, and Alfred Enoch, and then another work by Michael Grande-
Bloody terrorist satire, Lieutenant of Inishmore and Aidan Turner of Pollack.
"I'm scared," said Nicole Kidman . " She led her to an important performance award in London --
Evening Standard Award-
Because of her performance as a neglected DNA researcher in Anna Ziegler's photo 51. " (
The play began its life at a small theater in Maryland. )
Speaking to the director in a telephone interview, Kidman said: "He just simplified the whole thing and brought me back to my foundation . ".
"He is a wise man.
You know all your lines.
This is the job I like.
I like this commitment. it's not a flower shelf.
"So far, Grandpa's stage has the greatest impact;
His 2016 film "genius", starring author Thomas Wolfe and Colin Firth, received disappointing attention.
It is also unclear where "Frozen" will occupy Disney's art career.
Jesse Green of the New York Times, looking back at the audition in Denver in September, wrote admirably about some aspects, but the understanding of the story was quite different, Jennifer Lee.
"'Free'," he observed, "will have to figure out how to make the dark character less boring, and the light character more notable.
"Grandpa had never been involved in the" trial "before, but he said he found the reaction" very helpful in fact ".
I said to Tom Schumacher, "Do you know?
You add up the opinions of our own collaborators, US in the room, the audience in Denver, and the critics, and you throw all the opinions together.
Here is a real road map.
We have five months to do something we can change.
If this is not the purpose of going outof-
Town trial, what ghost?
"Broadway audiences will see a show that is different from what Denver, grandpa, and Lopez say is about 30 cents.
"We created a character that we got rid of, we changed the opening ceremony, we changed the closing ceremony, we changed four great dance choreography.
The whole reason is to make it more poetic, clear and precise . "
"We completely re-wrote the ending," says Christine Anderson. Lopez.
Everyone agrees that one of the conclusions of "ice and snow" is tears --
The last unexpected turn of the plot
Had to land like a bummer.
It's about reviewing the pain of the past, understanding the most important things in life, and keeping open to the possibility of reconciliation in a way that you're not always ready.
Grandpa said he thought they found the sweet spot in the story.
He suspected that this was the philosophy he practiced in other works --
Deep into the foundation of emotion --
This gave him the job.
"I often do (Schumacher)
There are also people who, "I want to do this first in the simplest form," We often say, "you don't need a few hundred dollars of fireworks . ".
He said he believed in the obvious simplicity and hope in the "freeze.
In some of his best works, Grandpa added, "I have no effect other than the imagination of the audience, the talent and light of the actors.
Washington Post-
The puzzle of the Tony Award
Award winning British director Michael glendage has to solve the problem in his latest project not the kind of problem they train you in high school
London theater school.
For example: dealing with a carrot nose that is easy to melt.
But when the project was "frozen", the stage version of 2013 Disney animated films made $1.
3 billion at the global box office, you're definitely better off having cute characters like Olaf snowman, er, cold.
So, grandpa and his team have been working on music for the last 17 months --
He didn't even want the entertainment company to tell him. much back-to-the-drawing-
The board discussion revolves around giving flesh to whimsical creatures in the movie.
As well as thousands of other design and drama elements to meet the large number of fans Disney hopes will hit the wall of Broadway Street
The James Theatre starts on Thursday.
Snowman Olaf, reindeer Sven, all the mysterious trolls who live in the depths of the Scandinavian forest in Elsa and the Kingdom of Arundel, where Anna is challenged in the weather: This is a magnificent mission
A completely new to the Disney empire, never directed an original musical --
Take a super ingredient
Victory and, well, just stir up another. No pressure!
Grandpa recalled the importance that executives such as Thomas Schumacher, president and producer of Disney's drama production, attached to the "freeze": "This is a big asset for us," they said, "We hope it doesn't leave too much outside.
But how to imagine it, it's for you.
"It brought us back to Olaf, who was dubbed by Josh geed, the veteran of the film Book of Mormon, Disney's animator portrayed him as three independent
"When you make a stage version, it's your first question," said grandpa, taking a break from rehearsal and talking on the latest weekend morning.
"Will you be dressed as Olaf in Times Square?
He asked with a smile.
"Or do you make puppets?
"The answer is often developed in the best stage adaptation of Disney's animated film musical, a blend of adult sweat and children --
Friendly inspiration.
Fusion of people (
Actor Greg Hildreth)
Grandpa said the puppet came, "invite you, the audience, to come and see Olaf through one person, because you have a real actor doing the right performance, the puppet sitting in front of him.
So you have both the best of both worlds about OLAF's iconic photos, a face that works and lives through him.
"Disney likes to hire directors, who can not only rearrange, but also think fresh about fairy tales that seem to be easily digested on the surface, which are presented beautifully at cellul.
It's not always a success on Broadway: think about the Little Mermaid by Opera director Francesca Zambelo, or design the Tarzan by otle Bob Crawley
However, when it works, like Julie Temer's "The Lion King," the fascinating result completes the company's continuation of the big-
The time shift from the screen to the stage began with beauty and the Beast in 1994.
For Grandpa, the challenge is not just to accept the huge expectations of fans for the film --
"You realize that you are accepting a thing that is deeply penetrated into the consciousness of people around the world "--
But at the same time, highlight an emotion that is more suitable for the role in three dimensions.
"This is a show about a traumatic family-" says Christine Anderson --"
Lopez, along with her husband Robert Lopez, wrote music scores for the film and added more than a dozen other songs to the Broadway version, which of course retained the Oscar-
Let it go.
Idina Menzel sang the song on the screen as the tortured Elsa, the young Queen cursed by the ice
Make her subject the devil and turn her into selfimposed exile.
Frost itself is almost a character in the play.
Just as the director's notes from the Disney designer who worked with his life partner, "frozen" layout and costume designer Christopher Oram: "There's a guy who showed us 100 different kinds of snow! "The 55-year-
Grandpa, who won the Tony Award for his "red" direction in 2010, John Logan's abstract portrait
Expressionist painter Mark Rusko may blush at the beginning, an unconventional choice that tells the story of the clash between a pair of royal sisters played by Cassie Levy (
Elsa as meditation)
And Patty mulling (
Anna as the Sun).
Almost all his works on Broadway were written in language.
Rich drama: Frost/Nixon by Frank langra and Michael Xin;
Daniel Radcliffe's The limp of Inishman;
Hamlet by Jude Law
One of his previous musicals on Broadway was the revival of Avita.
"But this resume --
An actor of the times, graduated from London's Central School of Language and drama, including
Leading positions such as his management of the famous Donmar Warehouse in London.
Grandpa himself is also an entertainment group, his trip to Londonbased outfit —
Michael's grandmother.
He has appointed a director.
The role of the producer, few of his American counterparts have developed this role, and his appetite is great: just after frozen, grandpa returned to London to guide his company, the revival of the West End of red, and original star of playwright Martin MacDonald, Alfred Molina, and Alfred Enoch, and then another work by Michael Grande-
Bloody terrorist satire, Lieutenant of Inishmore and Aidan Turner of Pollack.
"I'm scared," said Nicole Kidman . " She led her to an important performance award in London --
Evening Standard Award-
Because of her performance as a neglected DNA researcher in Anna Ziegler's photo 51. " (
The play began its life at a small theater in Maryland. )
Speaking to the director in a telephone interview, Kidman said: "He just simplified the whole thing and brought me back to my foundation . ".
"He is a wise man.
You know all your lines.
This is the job I like.
I like this commitment. it's not a flower shelf.
"So far, Grandpa's stage has the greatest impact;
His 2016 film "genius", starring author Thomas Wolfe and Colin Firth, received disappointing attention.
It is also unclear where "Frozen" will occupy Disney's art career.
Jesse Green of the New York Times, looking back at the audition in Denver in September, wrote admirably about some aspects, but the understanding of the story was quite different, Jennifer Lee.
"'Free'," he observed, "will have to figure out how to make the dark character less boring, and the light character more notable.
"Grandpa had never been involved in the" trial "before, but he said he found the reaction" very helpful in fact ".
I said to Tom Schumacher, "Do you know?
You add up the opinions of our own collaborators, US in the room, the audience in Denver, and the critics, and you throw all the opinions together.
Here is a real road map.
We have five months to do something we can change.
If this is not the purpose of going outof-
Town trial, what ghost?
"Broadway audiences will see a show that is different from what Denver, grandpa, and Lopez say is about 30 cents.
"We created a character that we got rid of, we changed the opening ceremony, we changed the closing ceremony, we changed four great dance choreography.
The whole reason is to make it more poetic, clear and precise . "
"We completely re-wrote the ending," says Christine Anderson. Lopez.
Everyone agrees that one of the conclusions of "ice and snow" is tears --
The last unexpected turn of the plot
Had to land like a bummer.
It's about reviewing the pain of the past, understanding the most important things in life, and keeping open to the possibility of reconciliation in a way that you're not always ready.
Grandpa said he thought they found the sweet spot in the story.
He suspected that this was the philosophy he practiced in other works --
Deep into the foundation of emotion --
This gave him the job.
"I often do (Schumacher)
There are also people who, "I want to do this first in the simplest form," We often say, "you don't need a few hundred dollars of fireworks . ".
He said he believed in the obvious simplicity and hope in the "freeze.
In some of his best works, Grandpa added, "I have no effect other than the imagination of the audience, the talent and light of the actors.
Washington Post-
The puzzle of the Tony Award
Award winning British director Michael glendage has to solve the problem in his latest project not the kind of problem they train you in high school
London theater school.
For example: dealing with a carrot nose that is easy to melt.
But when the project was "frozen", the stage version of 2013 Disney animated films made $1.
3 billion at the global box office, you're definitely better off having cute characters like Olaf snowman, er, cold.
So, grandpa and his team have been working on music for the last 17 months --
He didn't even want the entertainment company to tell him. much back-to-the-drawing-
The board discussion revolves around giving flesh to whimsical creatures in the movie.
As well as thousands of other design and drama elements to meet the large number of fans Disney hopes will hit the wall of Broadway Street
The James Theatre starts on Thursday.
Snowman Olaf, reindeer Sven, all the mysterious trolls who live in the depths of the Scandinavian forest in Elsa and the Kingdom of Arundel, where Anna is challenged in the weather: This is a magnificent mission
A completely new to the Disney empire, never directed an original musical --
Take a super ingredient
Victory and, well, just stir up another. No pressure!
Grandpa recalled the importance that executives such as Thomas Schumacher, president and producer of Disney's drama production, attached to the "freeze": "This is a big asset for us," they said, "We hope it doesn't leave too much outside.
But how to imagine it, it's for you.
"It brought us back to Olaf, who was dubbed by Josh geed, the veteran of the film Book of Mormon, Disney's animator portrayed him as three independent
"When you make a stage version, it's your first question," said grandpa, taking a break from rehearsal and talking on the latest weekend morning.
"Will you be dressed as Olaf in Times Square?
He asked with a smile.
"Or do you make puppets?
"The answer is often developed in the best stage adaptation of Disney's animated film musical, a blend of adult sweat and children --
Friendly inspiration.
Fusion of people (
Actor Greg Hildreth)
Grandpa said the puppet came, "invite you, the audience, to come and see Olaf through one person, because you have a real actor doing the right performance, the puppet sitting in front of him.
So you have both the best of both worlds about OLAF's iconic photos, a face that works and lives through him.
"Disney likes to hire directors, who can not only rearrange, but also think fresh about fairy tales that seem to be easily digested on the surface, which are presented beautifully at cellul.
It's not always a success on Broadway: think about the Little Mermaid by Opera director Francesca Zambelo, or design the Tarzan by otle Bob Crawley
However, when it works, like Julie Temer's "The Lion King," the fascinating result completes the company's continuation of the big-
The time shift from the screen to the stage began with beauty and the Beast in 1994.
For Grandpa, the challenge is not just to accept the huge expectations of fans for the film --
"You realize that you are accepting a thing that is deeply penetrated into the consciousness of people around the world "--
But at the same time, highlight an emotion that is more suitable for the role in three dimensions.
"This is a show about a traumatic family-" says Christine Anderson --"
Lopez, along with her husband Robert Lopez, wrote music scores for the film and added more than a dozen other songs to the Broadway version, which of course retained the Oscar-
Let it go.
Idina Menzel sang the song on the screen as the tortured Elsa, the young Queen cursed by the ice
Make her subject the devil and turn her into selfimposed exile.
Frost itself is almost a character in the play.
Just as the director's notes from the Disney designer who worked with his life partner, "frozen" layout and costume designer Christopher Oram: "There's a guy who showed us 100 different kinds of snow! "The 55-year-
Grandpa, who won the Tony Award for his "red" direction in 2010, John Logan's abstract portrait
Expressionist painter Mark Rusko may blush at the beginning, an unconventional choice that tells the story of the clash between a pair of royal sisters played by Cassie Levy (
Elsa as meditation)
And Patty mulling (
Anna as the Sun).
Almost all his works on Broadway were written in language.
Rich drama: Frost/Nixon by Frank langra and Michael Xin;
Daniel Radcliffe's The limp of Inishman;
Hamlet by Jude Law
One of his previous musicals on Broadway was the revival of Avita.
"But this resume --
An actor of the times, graduated from London's Central School of Language and drama, including
Leading positions such as his management of the famous Donmar Warehouse in London.
Grandpa himself is also an entertainment group, his trip to Londonbased outfit —
Michael's grandmother.
He has appointed a director.
The role of the producer, few of his American counterparts have developed this role, and his appetite is great: just after frozen, grandpa returned to London to guide his company, the revival of the West End of red, and original star of playwright Martin MacDonald, Alfred Molina, and Alfred Enoch, and then another work by Michael Grande-
Bloody terrorist satire, Lieutenant of Inishmore and Aidan Turner of Pollack.
"I'm scared," said Nicole Kidman . " She led her to an important performance award in London --
Evening Standard Award-
Because of her performance as a neglected DNA researcher in Anna Ziegler's photo 51. " (
The play began its life at a small theater in Maryland. )
Speaking to the director in a telephone interview, Kidman said: "He just simplified the whole thing and brought me back to my foundation . ".
"He is a wise man.
You know all your lines.
This is the job I like.
I like this commitment. it's not a flower shelf.
"So far, Grandpa's stage has the greatest impact;
His 2016 film "genius", starring author Thomas Wolfe and Colin Firth, received disappointing attention.
It is also unclear where "Frozen" will occupy Disney's art career.
Jesse Green of the New York Times, looking back at the audition in Denver in September, wrote admirably about some aspects, but the understanding of the story was quite different, Jennifer Lee.
"'Free'," he observed, "will have to figure out how to make the dark character less boring, and the light character more notable.
"Grandpa had never been involved in the" trial "before, but he said he found the reaction" very helpful in fact ".
I said to Tom Schumacher, "Do you know?
You add up the opinions of our own collaborators, US in the room, the audience in Denver, and the critics, and you throw all the opinions together.
Here is a real road map.
We have five months to do something we can change.
If this is not the purpose of going outof-
Town trial, what ghost?
"Broadway audiences will see a show that is different from what Denver, grandpa, and Lopez say is about 30 cents.
"We created a character that we got rid of, we changed the opening ceremony, we changed the closing ceremony, we changed four great dance choreography.
The whole reason is to make it more poetic, clear and precise . "
"We completely re-wrote the ending," says Christine Anderson. Lopez.
Everyone agrees that one of the conclusions of "ice and snow" is tears --
The last unexpected turn of the plot
Had to land like a bummer.
It's about reviewing the pain of the past, understanding the most important things in life, and keeping open to the possibility of reconciliation in a way that you're not always ready.
Grandpa said he thought they found the sweet spot in the story.
He suspected that this was the philosophy he practiced in other works --
Deep into the foundation of emotion --
This gave him the job.
"I often do (Schumacher)
There are also people who, "I want to do this first in the simplest form," We often say, "you don't need a few hundred dollars of fireworks . ".
He said he believed in the obvious simplicity and hope in the "freeze.
In some of his best works, Grandpa added, "I have no effect other than the imagination of the audience, the talent and light of the actors.